The Stanley Wiater archive of Modern Horror literature comprehensively documents the history of the genre. Mr. Wiater has been a writer, editor, anthologist, journalist, and collector for over 40 years. He is a three-time winner of the Bram Stoker Award, the highest honor given by the Horror Writers Association. He is widely considered the world's leading authority on Horror writers and filmmakers, and he became a friend to virtually all of the former and many of the latter. He has spent decades both contributing to the field and making its writers and their works accessible to others.
Modern Horror emerged as a field in the late 1960s and early 1970s, with the movies Rosemary's Baby and The Exorcist followed by the sudden and unprecedented success of the horror novels of Stephen King, who reportedly became the bestselling novelist in the world. Stanley Wiater began collecting classic horror and adventure novels in the early 1960s and when the horror genre took off he was well-positioned to appreciate it. As a writer his first assignment, in 1974, was interviewing Ray Bradbury, author of a number of classic works of science fiction and fantasy and considered one of the fathers of Modern Horror, so Wiater has been documenting the field essentially since its inception.
Wiater's first Bram Stoker Award winner was his book Dark Dreamers: Conversations with the Masters of Horror, and a unique element of the archive is the collection of audio and video tapes of his interviews: Wiater has interviewed and recorded more writers in the field than anyone else, and the unedited tapes and transcripts of the interviews are an unparalleled resource for studying the field, as the published versions of them represent only a fraction of the overall interview content. There are well over 200 hours of audio tape interviews, including talks with such writers as Bradbury, King, Clive Barker, Richard Matheson, Robert Bloch, Harlan Ellison, Ira Levin, David Morrell, and many others, and with filmmakers such as Roger Corman, David Cronenberg, George Romero, Sidney Pollack, Martin Scorsese, and others. Most of the material on the tapes has never been published.
In addition, Mr. Wiater developed the interview format for television, and the original series, also called Dark Dreamers, debuted on Canadian TV in 2000. There are over 150 raw, unedited video tapes; the shows, when produced and aired, were 24 minutes long, meaning that the vast majority of the contents of the tapes has never been seen. Interviewees include Barker, Ellison, Matheson, Romero, Peter Straub, artist Gahan Wilson, director Wes Craven, among many others. Mr. Wiater is a knowledgeable and sympathetic interviewer, and his questions regularly elicit long, interesting and revealing answers from his subjects. It is doubtful there exists anywhere a repository of such unpublished and unseen primary source material as this.
The archive includes a large number of manuscripts — Mr. Wiater's own and those of the writers he anthologized or edited; a substantial amount of business and literary correspondence from virtually all of the major and minor writers in the field; the paper archives of the Horror Writers Association; and original never-seen material by the fantasy surrealist photographer J. K. Potter, as part of a never-published book project the two worked on.
In addition to Dark Dreamers, Mr. Wiater has edited two anthologies of original fiction by nearly two dozen writers, as well as books on Stephen King, Brian Lumley, and Richard Matheson's classic Twilight Zone scripts, which helped establish that show as the gold standard of serious, thought-provoking television in the early years of the medium. Mr. Wiater also edited Comic Book Rebels, the definitive treatment of the growth of the underground comix movement in the 1960s and beyond. Wiater's own fiction manuscripts are included, both published and unpublished, including his first published story, which won a contest judged by Stephen King.
Mr. Wiater's archive is that of a writer with a unique position in the Modern Horror "family." The archive is diverse and wide-ranging, coherent and comprehensive, broad in sweep and with great depth in both published and unpublished materials. There is no other archive that documents this genre of popular literature as intimately and thoroughly as does Mr. Wiater's archive.
The archive is priced $150,000.
An inventory of the archive is available here.